Turnover in live music increases, that of recorded music decreases - what's wrong? Just a trend?
Can event industry actually help music business, or recorded music specifically? The diversification of event business towards one-stop-service points for artists mixes up roles once more.
Is it of advantage to the artist? What about the labels? Where can they still find their niche?
More importantly – the large cultural basis in creative business: How can non-established artists benefit from these changes in business?
Theme track BUSINESS MODELS is presented by MUSIKWOCHE.
